A Manual by Sebastian Dobrusskin, Wolfgang Hesse, Martin Jürgens, Klaus Pollmeier, Marjen Schmidt.
The English translation of the fourth edition of the book “Faustregeln für die Fotoarchivierung” by Martin Jürgens was recently published.
The translation was supported by the European Commission on Preservation and Access (ECPA) with the project “Safeguarding European Photographic Images for Access” (SEPIA). 91 pages, ISSN 0945-0327, PDF-File (152 KB), EUR 10,00.
Report available at: http://www.foto.unibas.ch/~rundbrief/best00.htm
The online tutorial was developed by the Conservation Centre for Art & Historic Artifacts (CCAHA) for curators, librarians, archivists, collections managers and other staff who are involved in managing machine-based media collections in cultural institutions. Viewers will learn basic principles and concepts for managing audiovisual collections and will be provided with information and strategies for preservation, contracting for reformatting, and finding funding opportunities.
Online tutorial available at: http://www.ccaha.org/education/videos
PACKED published a Dutch translation of the Preservation Section of the EAI Online Resource Guide for Exhibiting, Collecting & Preserving Media Art in the form of an online manual. This text was originally written by Independent Media Arts Preservation, Inc. (IMAP), a nonprofit service, education, and advocacy organisation that has been committed to the preservation of non-commercial electronic media since 1999.
As time goes on the text will be completed by PACKED (in consultation with IMAP) with its own information (updates, interviews, case studies, etc). » Read more..
This report describes the survey on training needs in digital preservation and curation carried out in the context of the DigCurV project. It analyses the main findings of the survey and provides a summary of the results from a series of focus group meetings held in the partner countries and also an analysis of job advertisements which have appeared since January 2011 when the project began.
Report available at: http://www.digcur-education.org/eng/Resources/Report-and-analysis-on-the-training-needs-survey
FILM RESTORATION SUMMER SCHOOL
9 May- 20 June (on Wednesdays): Film restoration online theory course, distance learning
23- 30 June: Theory lectures and Il Cinema Ritrovato film festival:
2- 13 July: Restoration practice classes
Programme of Film Restoration Summer School 2012/ FIAF Summer School – Bologna 2012
2nd International Conference of Photography and Theory
Agia Napa, Cyprus
30 November- 2 December 2012
Research in historical, artistic and vernacular photography has been rapidly expanding in the past few years. Responding to this trend, the International Conference of Photography and Theory (ICPT) was created with an aim to provide an outlet for an interdisciplinary and critical theoretical exploration of photography and photographic practices. The 2nd International Conference of Photography and Theory (ICPT 2012) aims once again at bringing together researchers and practitioners from diverse fields of study who share a common interest in photography. This year’s topic is ‘Photography and Museums’. » Read more..
The Third Asian Conference on Media & Mass Comunication
2- 4 November 2012
The 3rd Asian Conference on Media & Mass Communication: Prof Gary E. Swanson Mildred S. Hansen Endowed Chair in Journalism The University of Northern Colorado, USA Conference Chair Prof Tamara Swenson Osaka Women’s University Local Conference Chair
Audio Technologies for Music and Media
1-2 November 2012
ATMM is an interdisciplinary conference that focuses on the various aspects of audio for music and media, and, also, on the relationship between sound, music, image, human interaction et cetera, in both ‘new’ and ‘traditional’ media.
5th International Workshop on Personalized Access to Cultural Heritage
29 October – 2 November 2012.
Deadline for submissions of papers: July 1st, 2012
The primary goal of this workshop is to gather researchers and practitioners from different fields, e.g., multimedia retrieval, user interaction, arts and heritage curation, interface design and user modeling, in order to showcase novel applications and discuss opportunities that grow from the connections between users and multimedia systems in the cultural heritage domain.
“In Transition: Access for All”
6-11 October 2012
Access to information is widely perceived as an uncontested good, a right of the same order as access to clean water and electricity. UNESCO says that universal access will empower people if “they can access and contribute to information and knowledge flows,” and that a digital infrastructure will provide it. Governments all over the world mouth support for these aspirations and the public has come to expect access to all sorts of information wherever and whenever they want and need it, including, and perhaps especially, sound and audiovisual content. » Read more..